
Noy Alon’s jewelry objects blur the distinction between ornament and artifact. The planar geometry and raw surfaces recall architectural fragments or tools shaped by time, yet each contains the intimate function of jewelry. The openings and rings embedded within these forms suggest interaction with the body, though they resist easy classification as adornment. Instead, they operate as objects that carry presence and weight while preserving the stillness of a found relic.
The reduced palette and measured marks signal restraint and clarity, a distillation of meaning into material. Gold lines cut through the polymer’s slate-like surfaces, asserting structure without overpowering the form’s inherent character. Through these juxtapositions of rough and refined, Alon creates pieces that invite consideration of how we assign value, how we carry history, and where jewelry ends and object begins.


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